From zero to hero: The second reign of Steve Jobs

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COMMENT For those of us accustomed to Apple as it now - one of the world's largest, most profitable and most influential technology companies - it's hard to imagine what it was like immediately before Steve Jobs returned to the company in late 1996.

The company was suffering severe financial losses as its muddled line of beige Macs was reduced to single digit market share of a personal computer market dominated by Windows PCs. Attempts at new products, such as the Newton, were ill-conceived and poorly received. Rumours of a takeover were rampant involving suitors as diverse as Oracle, Sun, IBM and Sony.

It's a big mock turtleneck jumper to fill.

In retrospect, the key to Apple's recovery lay in two things: Steve Jobs himself and the technology Apple acquired when it bought his failed computer company NeXT. The classic MacOS was antiquated and ill-equipped for modern computing, while Apple's own attempts to develop a replacement burned through money with little to show for it.

The NeXT OpenStep OS would be overhauled to become its replacement – Mac OS X. In addition to being a critical component of all modern Macs, OS X would also form the basis of iOS – the operating system behind the iPhone, iPad, iPod Touch and the current AppleTV.

The influence of Jobs himself is easy to exaggerate. But nor should it be cast aside. As a single person, Jobs obviously couldn't have worked on every single aspect of all of the key products released during his reign, from the various iPods and iPhones to the iTunes Store, yet each bear his unmistakable influence. None of them were innovations in themselves - MP3 players, smartphones and online music stores all existed before their arrival.

Each creation dramatically reinvented each of their respective product categories through better industrial design and ease of use with as much emphasis on what's missing as what is included. For example, unlike some competing MP3 players, the iPod doesn't allow users to edit ID3 tags or delete music. What it loses in flexibility, it makes up for in a much simpler and arguably more elegant user experience. One that continues to be copied to this day.

This is even more dramatically illustrated in the iMac, Apple's leading line of consumer desktop computers. The original iMac launched back in 1998 with a striking appearance. Just as importantly, it did away with floppy drives and all of the Mac's legacy ports at the time. This was merely the start of a pattern that continues now with the DVD-less MacBook Air - deliberately removing what is seen as obsolete technologies, even if the rest of the industry is reluctant to follow suit.

This minimalism is due in no small part to Jobs' own ideas and preferences on what technology should be like. It's no surprise that Apple's computers following Jobs' return look and work less like the classic Macs made before his second tenure and more like the NeXT Cube computers made by NeXT.

Apple obviously isn't just a collection of technologies and products – it's also an organisation of people and processes. Jonathan Ives, now Apple's vice president of industrial design, was already a mid-level employee before Jobs' return but had relatively little influence. Upon his return, Jobs soon formed a close working relationship with the quiet Brit and the beige, boxy towers of the old Apple were soon phased out in favour of Ives' curvy and colourful - and later sleek - minimalist designs.

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